身体的改写与重置——论金原瞳小说里的后现代伦理表达  

Re-writing the Body: The Ethical Expression of Hitomi Kanehara’s Literary Imagination

作　　者：陈晨 Chen Chen(the Japanese Department of Foreign Languages College,Shanghai Normal University,Shanghai,China,200234)

机构地区：[1]上海师范大学外国语学院日语系,200234

出　　处：《当代外国文学》2021年第4期74-82,共9页Contemporary Foreign Literature

基　　金：“上海师范大学高水平计划比较文学与世界文学创新团队”资助项目“日本‘后3·11’灾害书写中的性别叙事与身体维度”阶段性成果。

摘　　要：金原瞳是日本新生代作家中相当“多产”的一位。她擅长采用多视角及多线叙事,通过刻画略显偏执、间歇性精神错乱的女主人公形象,呈现出了一个充满矛盾与不确定性的后现代伦理世界。后现代伦理基于身体,寻求的是多维时空中生命经验的解辖域、去层化。金原瞳小说里反复出现的,对身体进行技术改造(舌洞)、对“情欲”、“母性”等身体经验进行改写与重置的书写,包蕴着深层的后现代伦理拷问,并由此形成一股难以抗拒的文学张力。近作《一无所有》作为一部典型的震灾后文学作品,将伦理身体介入灾害叙事,从而完成了一场性别化的、对“3·11”震灾记忆的镜像反观,呈现出此前作品不曾有的聚焦现世冲突的伦理关怀,是对如何从伦理层面观照灾害书写问题的有力揭橥。A prolific writer among the new generation of Japanese writers, Hitomi Kanehara expertly deploys multi-perspective and multi-plot narration. By depicting a heroine with slight paranoia and intermittent insanity, she presents a postmodern ethical world full of contradiction and uncertainty. Postmodern ethics is based on the body and seeks to solve the deterritorialisation and destratification of life experience in multi-dimensional space and time. In Hitomi Kanehara’s novels, the repeated writing of technical transformation(tongue hole) of the body, and the rewriting and resetting of physical experiences such as "lust" and "Motherhood", are rife with postmodern ethical interrogations,forming an irresistible literary tension. Her latest novel, Nothing at All, an exemplary piece of post-earthquake literature, places ethical bodies within a narrative of disaster,forming a mirror image ref lecting the 3/11 disasters through gender and memory, and animated by ethical concern about secular conf licts. It attests to the power of an ethical perspective on disaster writing.

关 键 词：金原瞳 身体 后现代伦理 “3·11”东日本大震灾 灾害书写 

分 类 号：I313.074[文学—其他各国文学]