机器人身份重构:后人类视阈下的《齐马蓝》  

The Reconstruction of Robot’s Identity:A Case Study of Zima Blue from the Post-human Perspective

作　　者：黄亚菲 麦永雄 HUANG Yafei;MAI Yongxiong(School of Literature/School of Journalism and Communication,Guangxi Normal University,Guilin 541000,China)

机构地区：[1]广西师范大学文学院/新闻与传播学院,广西桂林541000

出　　处：《浙江海洋大学学报（人文科学版）》2021年第5期35-39,51,共6页Journal of Zhejiang Ocean University(Humanities Sciences)

基　　金：国家社会科学基金项目“当代西方文论范式转向及其中国化问题研究”(编号:13BWW001);广西壮族自治区研究生教育创新计划“当代西方激进左翼美学中的视觉政治研究”(编号:YCBZ2021034)阶段性研究成果。

摘　　要：后人类语境交织着对“走向新的人类形态”与人工智能发展的思索,其赋予评论者超越传统二元对立模式探讨人机关系的可能性。科幻小说《齐马蓝》与改编自其的同名动画短片,通过差异化的叙事视角解构了主人公齐马的人类艺术家身份,进而展现出人类中心主义凝视的悖谬之处;并通过齐马后人类艺术家身份的重构,建立起后人类语境下平等对话的人机关系,发掘出作为外位的机器人对技术社会中人类误区的洞察与回应。这两部同根同源又差异丛生的作品具有强烈的现实指涉性,其对未来社会的构想展现出当代人机关系走向中的迷思。The post-human context is intertwined with the speculation about“moving towards a new human form”and the development of artificial intelligence,which endows the commentators with possibility towards discussion on man-machine relationship beyond a cliched mode of binary opposition.The science fiction Zima Blue and its adapted sci-fi film of the same name deconstruct Zima’s identity of human artist by means of differential narrative perspectives,thus revealing the paradox of anthropocentrism gaze.The manmachine relationship with equal dialogue is established under the post-human context through the reconstruction of the post-human artist identity of Zima,discovering the outsider robot’s insight and response to the human misunderstanding in the technical society.These two works with both holomogy and diversity have a strong reality referentiality,and the visualization of the future society reveals the myth in the trend of contemporary man-machine relationship.

关 键 词：《齐马蓝》 后人类 人机关系 

分 类 号：I106.4[文学—世界文学]