激荡时代的孤独守望——吴祖光《风雪夜归人》上演述略  

Loneliness of the Turbulent Times——A Recounting of Wu Zuguang’s Home on a Snowy Night

作　　者：马若飞 MA Ruofei

机构地区：[1]南京艺术学院电影电视学院,南京210013

出　　处：《浙江艺术职业学院学报》2021年第3期54-60,共7页Journal of Zhejiang Vocational Academy of Art

摘　　要：吴祖光先生的《风雪夜归人》创作于1942年,时年正值抗日战争进入到了最艰苦的阶段,民族危亡就在眼前,国共第二次合作已经过去了五年时间,全国军民上下一心同仇敌忾,与日寇侵略者进行艰苦卓绝的斗争。此时的文艺界也在用自己的方式,不断创作出一批又一批反映抗战题材的作品,歌颂战斗英雄,抒写悲壮事迹,在精神上鼓励支持着国人顽强抵抗,永不妥协,而吴祖光在这个时期创作出"姨太太爱上戏子"的戏码,多少总显得有点不合时宜,甚至颇有"隔江犹唱后庭花"的意味。挖掘作者深层次的创作动机,不难看出吴祖光先生在用另一种方式,发出对腐朽黑暗时代的怒吼与不平。Mr. Wu Zuguang’s Home on a Snowy Night was written in 1942, five years after the second cooperation between the Second Sino-Japanese War and the Communist Party, when the country was entering its most difficult period and national peril was at hand, the army and people of the whole country were united in the bitter struggle against the Japanese invaders. At this time, the literary and artistic circles were also creating, in their own way, a series of works reflecting the theme of the War of Resistance, eulogizing the heroes of the war, and expressing their solemn and stirring deeds. In Spirit, they encouraged and supported the Chinese people to resist tenaciously and never compromise, and Wu Zuguang in this period to create a "wife fell in love with actors" drama, more or less always seems to be a bit out of time, and even quite "across the river singing queen flower" meaning. Digging into the author’s deeper motives, it is not difficult to see that Mr. Wu Zuguang is using another way, issued in the dark ages of decay and grievances.

关 键 词：吴祖光 戏剧创作 抗日战争 同茂剧社 

分 类 号：J824[艺术—戏剧戏曲] I207.3[文学—中国文学]