方响与宋词演唱  

Fangxiang and the Singing of the Song Lyrics

作　　者：闫赵玉 YAN Zhaoyu

机构地区：[1]西安音乐学院人文学院,西安710061

出　　处：《浙江艺术职业学院学报》2021年第3期135-142,共8页Journal of Zhejiang Vocational Academy of Art

摘　　要：方响作为汉民族传统击奏乐器,以其独特艺术魅力在宋代社会生活中风靡一时。在宋代教坊中,方响取代了钟磬的位置,并作为律准乐器使用。方响作为宋词演唱的伴奏乐器,是宋词音乐传播的乐器载体。在朝廷与官署大合乐中词的演唱,方响作为领奏与合奏乐器;在市井俗乐中词的演唱,方响作为歌妓小唱的伴奏乐器。方响丰富了宋人音乐生活,在诗词意境营造中拥有独特的审美空间。探究方响在宋词歌唱艺术中的应用,有助于还原宋词产生的文化生态,深化对词体作为音乐文学的认知。As a traditional percussion instrument of the Han nationality, Fangxiang was popular in Song Dynasty because of its unique artistic charm. In the Jiaofang music, Fangxiang replaced the position of the chime, and used as a tuned instrument. Fangxiang was the accompaniment instrument for Song lyrics, and the musical instrument of Song lyrics music transmission. In the court and the official grand harmony, Fangxiang was used as a lead or ensemble instrument. In the folk music, Fangxiang was the accompaniment instrument for geisha singing. Fangxiang enriched the music life of Song people and had a unique aesthetic space in the creation of poetry artistic conception. The study of Fangxiang’s application in the singing art of Song lyrics was helpful to restore the cultural ecology generated by Song lyrics and deepened the cognition of lyrics as music literature.

关 键 词：方响 乐器 宋词演唱 燕乐 歌妓 

分 类 号：J632.59[艺术—音乐]