男旦艺术国际传播的困境与突破  

Misconceptions and Breakthroughs in the International Communication of the Nandan Art

作　　者：李烨辉 王丹阳 LI Yehui;WANG Danyang

机构地区：[1]中国传媒大学外国语言文化学院,100020 [2]中国传媒大学传播研究院,100020

出　　处：《中华女子学院学报》2022年第1期75-79,共5页Journal of China Women＇s University

摘　　要：男旦艺术以男扮女装为核心,是中国戏曲表演行当的典型形式。如何在肯定男旦艺术性别价值的基础上,做好男旦艺术国际传播,让世界共享这一艺术形式的魅力,是推动男旦艺术崛起的关键。通过对男旦艺术与性别观念互构历史的梳理,结合男旦艺术国际传播的现状与困境,指出男旦艺术国际传播具有三种新可能:一是做好传播主体、渠道与形式的突破,二是传播以性别超越为内核的民族性内容,三是挖掘并传播可供国际受众共享的世界性内容。Nandan art,with its core focus on male impersonation of women,is a typical form of Chinese opera performance.Based on a review of the history of the interconstruction of Nandan art and gender concepts,the study takes into account the current situation and misconceptions of the international communication of Nandan art,and points out three new possibilities for the communication:firstly,make a breakthrough in the subject,channels and forms of communication;secondly,communicate national content with gender ambiguity as the core;and thirdly,explore and communicate global content that can be shared by international audiences.

关 键 词：男旦艺术 国际传播 性别观念 民族性 世界性 

分 类 号：C913.68[经济管理]