中国“90后诗歌”新世纪发展回顾与反思  

Review and Reflection of the Development of Chinese “post-90s poetry” in the New Century

作　　者：覃才 赵卫峰 QIN Cai;ZHAO Weifeng(School of Chinese Language and Literature,Shaanxi Normal University,Xi'an,Shaanxi 710119;Yunyan District Committee Publicity Department,Guiyang,Guizhou 550001,China)

机构地区：[1]陕西师范大学文学院,陕西西安710119 [2]贵阳市云岩区委宣传部,贵州贵阳550001

出　　处：《河池学院学报》2021年第5期19-25,共7页Journal of Hechi University

基　　金：中央高校基本科研业务费专项资金资助项目“中国少数民族诗歌的文学人类学研究”(2021TS086);国家哲学社会科学基金项目“朦胧诗以来现代汉语诗歌的语言问题研究”(11BZW096)。

摘　　要：新世纪以来,中国"90后诗人"的诗歌写作逐渐成熟,但仍然未达到中国诗坛对他们一代人的写作期待。梳理新世纪以来中国诗坛、中国学界对"90后出生的诗人""90后诗歌"的代际命名过程,能够呈现"90后"一代年轻诗人及其诗歌写作的发展理路。作为一代人,"90后诗人"及其诗歌写作在新世纪20余年的运演中,也形成一些趋向性、总体性的诗学审美特征。这些诗学审美特征既表征着中国"90后诗歌"的发展现状,也隐示着它的某种可能。Since the beginning of the new century, Chinese post-90 s poets are growing up, and their poetry writing is mature, but it still does not meet the writing expectations of Chinese poetry circles for their generation. By combing the inter-generational naming process of the poets born in the 1990 s generation and the post-90 s generation since the beginning of the new century, it can present the development path of the young poets of the post-90 s generation and their poetry writing. As a generation, the post-90 s poets and their poetry writing have also formed some trend and overall poetic aesthetic characteristics in the more than 20 years of the new century. These poetical aesthetic characteristics not only represent the development status of Chinese "post-90 s poetry",but also imply some possibility.

关 键 词：新世纪诗歌 “90后诗人” “90后诗歌” 中国青年诗歌 

分 类 号：I206[文学—中国文学]