泉州开元寺“飞天”造型世俗化、本土化过程及成因探究  

A Research on the Secularization and Localization Process and Causes of “Flying Sky” Modeling in Kaiyuan Temple in Quanzhou

作　　者：陈晓萍[1] 王庆兰 CHEN Xiaoping;WANG Qinglan(School of fine arts and design,Quanzhou Normal University,Fujian 362000,China)

机构地区：[1]泉州师范学院美术与设计学院,福建泉州362000

出　　处：《泉州师范学院学报》2021年第5期82-86,共5页Journal of Quanzhou Normal University

基　　金：福建省社科一般项目(FJ2020B096)。

摘　　要：通过"丝绸之路"传入泉州的飞天造型,历经了一个外来艺术本土化、宗教艺术世俗化的过程,而这,可以从泉州开元寺现存几个时期"飞天"造像的衍变得以窥见。通过对开元寺南唐、宋代及明代不同时期"飞天"面相、服饰、色彩、姿态、手持器物等因素变化的详细研究,得以探究其走向世俗化和本土化的成因。The introduction of “Flying Sky” sculpture into Quanzhou through the “Silk Road” has gone through a process of localization of foreign art and secularization of religious art, which can be seen from the evolution of the existing “Flying Sky” statues in several periods of Kaiyuan Temple in Quanzhou. Through a detailed study of face, clothing, color, posture, hand-held utensils of Flying Sky in different periods of the Southern Tang Dynasty, Song Dynasty and Ming Dynasty, we can explore the causes of its secularization and localization.

关 键 词：开元寺 “飞天” 本土化 世俗化 

分 类 号：J506[艺术—艺术设计]