巴洛克建筑的手法主义和早期抽象风研究  

Study on Mannerism and Early Abstract Style of Baroque Architecture

作　　者：郁献军 Yu Xianjun(Academy of Fine Arts,Nantong Normal College,Nantong Jiangsu 226010,China)

机构地区：[1]南通师范高等专科学校美术学院,江苏南通226010

出　　处：《城市建筑》2021年第36期103-105,共3页Urbanism and Architecture

基　　金：2021年度江苏省现代教育技术研究项目“面向人工智能的艺术教育测量研究:评价模型与学习预测”(2021-R-94134)。

摘　　要：本研究首先分析米开朗琪罗的作品,从体感、光影、动感、尺度等方面,阐述巴洛克建筑的外在风格,印证了米氏雕塑手法主义与巴洛克建筑外在风格的不谋而合。其次通过对比巴洛克早期和盛期风格,结合抽象构成理论,从"尺度和体感的联系性"和"光影与动感的联系性"两个层面,探讨雕塑手法主义和巴洛克建筑两者审美倾向内在特征的密切关系。最后得出以下结论:(1)"手法主义"开辟了西方建筑早期抽象风尚的历史先河;(2)基于雕塑的手法主义是早期巴洛克建筑的形式源泉;(3)盛期巴洛克为西方现代抽象艺术的兴起奠定了风格基础。This paper analyzes the representative works of Michelangelo,and explores the external style of Baroque architecture from four aspects of body,light and shadow,movement,and scale.It proves that Michelangelos’sculptural mannerism coincides with the external style of Baroque architecture,Then,by comparing the early and peak styles of Baroque,combining with the abstract composition theory,this paper discusses the close relationship of the inner characteristics of the aesthetic tendencies between the sculptural mannerism and Baroque architecture from two levels:"the connection between scale and body"and"the connection between light and shadow and dynamism".The close relationship between the aesthetic tendencies of both sculptural Mannerism and Baroque architecture is explored.Three conclusions are drawn:(1)mannerism pioneered the early abstract style of western architecture;(2)mannerism based on sculpture was the formal source of early Baroque architecture;(3)Baroque in its prime laid the stylistic foundation for the rise of modern abstract art.

关 键 词：巴洛克建筑 米开朗琪罗 雕塑 手法主义 抽象 文艺复兴 

分 类 号：TU-86[艺术—艺术设计]