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作 者:沈玲玲 SHEN Lingling(Dept.of Visual Arts,Wanjiang College of Anhui Normal University,Wuhu 241000,China)
机构地区:[1]安徽师范大学皖江学院视觉艺术系,安徽芜湖241000
出 处:《江苏海洋大学学报(人文社会科学版)》2022年第1期119-125,共7页Journal of Jiangsu Ocean University(Humanities & Social Sciences Edition)
基 金:安徽省高校人文社会科学重点项目(SK2019A0804);安徽师范大学皖江学院质量工程重点教学研究项目(WJJYZD-201902)。
摘 要:新时期中国文艺事业逐步呈现出繁荣之象,作为主旋律电影的典型代表——建党献礼片,在意识形态表达中强化民族认同,在多样社会文化语境中深化主题内涵。从《开天辟地》到《1921》,建党献礼片以史为镜,从艺术层面展现中国革命历程,诠释了主旋律电影的精神内核;以人为本,聚焦政治体制改革、政府职能转变以及英雄楷模塑造;以影载道,优化创作理念和艺术风格。多元叙事的创新强化了理想主义与现实主义的激烈碰撞,人物塑造的创新实现了宏观史实与微观聚焦的并行融合,视听技术的创新重现了电影美学与革命历史的文化汇流。建党献礼片在影像表征、角色定位的转型中建构立体的新型国家形象,传承中华民族的集体记忆。In the new period,Chinese literary and artistic undertakings gradually show the appearance of prosperity.As a typical representative of theme films,the film dedicated to the founding of the Party strengthens national identity in the expression of ideology and deepens the theme connotation in the context of diversified social culture.From The Creation of the Universe to 1921,taking history as a mirror,the film dedicated to the founding of the Party presents a perspective on the process of Chinese revolution from the perspective of artistic philosophy,and interprets the spiritual core of the main melody film.It is people oriented,focusing on the reform of political system,the transformation of government functions and the shaping of heroes and models,which carries the way with shadow and optimizes the creative concept and artistic style.The innovation of multi narrative strengthens the fierce collision between idealism and realism,the innovation of characterization realizes the parallel integration of macro historical facts and micro focus,and the innovation of audio-visual technology reproduces the cultural convergence of film aesthetics and revolutionary history.In the transformation of image representation and role orientation,the film dedicated to the founding of the Party constructs a three-dimensional new national image and inherits the collective memory of the Chinese nation.
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