重探1959年关于新诗格律问题的讨论  

Re-exploring the Discussion on the Metrical Problems of New Poetry in 1959

作　　者：郭金戈 GUO Jinge(Research Center for China’s New Literature,Nanjing University,Nanjing 210023,China)

机构地区：[1]南京大学中国新文学研究中心,南京210033

出　　处：《常熟理工学院学报》2022年第1期16-23,共8页Journal of Changshu Institute of Technology

基　　金：2017年度教育部人文社会科学重点研究基地重大项目“百年新诗学案”(17JJD750002)。

摘　　要：1959年《文学评论》组织的关于新诗格律问题的讨论,主要就继承中国古典诗歌格律,节奏与平仄、押韵之间的关系,“自由格律诗”等问题进行了讨论。而讨论中对“节奏”与“格律”概念以及对格律诗、自由诗的认识,则启发我们重思当代新诗创作中的韵律问题。如果从新的理论体系出发,对节奏、韵律和格律这三个概念进行辨析,我们可以重新审视这次讨论中的理论成果和局限。同时,这种重探和对话,也有助于我们形成对新诗韵律不一样的认知。In 1959,Literary Review organized a discussion on the new poetic meter,which focused on the inheritance of the meter of Chinese classical poetry,the relationship between rhythm and level and oblique tone,rhyme,“free metrical poetry”and other issues.The discussion on the concepts of“rhythm”and“meter”and the understanding of meter poetry and free verse inspires us to rethink the problem of rhythm in the creation of contemporary new poetry.Starting from the new theoretical system,we can re-examine the theoretical achievements and limitations of this discussion if we differentiate the three concepts of rhythm,prosody and meter.At the same time,this re-examination and dialogue can also help us form a different cognition of the rhythm of the new poem.

关 键 词：格律 节奏 自由格律诗 《文学评论》 

分 类 号：I207.25[文学—中国文学]