民间宝卷婚变主题初探  

A Preliminary Study on the Theme of Marital Crisis in Baojuan

作　　者：纪亚兰 王定勇[1] JI Yalan;WANG Dingyong(College of Humanities,Yangzhou University,Yangzhou 225002,China)

机构地区：[1]扬州大学文学院,江苏扬州225002

出　　处：《常熟理工学院学报》2022年第1期42-46,共5页Journal of Changshu Institute of Technology

基　　金：国家社会科学基金重大项目“民间宝卷文献集成及研究”(19ZDA286);江苏省社会科学基金重点项目“大运河江苏段说唱文艺调查与研究”(19ZWA001)。

摘　　要：婚变是民间文学一大主题,受弹词、鼓词、戏曲等艺术样式的影响,宝卷亦存有大量婚变主题的作品。才子佳人的爱情故事、婚姻家庭的悲欢离合总离不开“婚变”情节的发生,它不仅成为推动情节发展的重要手段,而且成为婚姻故事中的一类主题。从宝卷婚变主题渊源、宝卷中婚变故事的类型、宝卷中婚变主题的程式化结构以及宝卷与戏曲中婚变主题的异同四个方面,可一探当时社会的婚恋观以及民间道德观念影响下婚恋主题在宝卷中产生的变化。In the folk literature,the marital crisis is a hot topic.Influenced by literary genres such as Tanci,Guci and opera,Baojuan also has a large number of works with such themes.The love stories of talented people and beautiful women and the joys and sorrows of family ethics are always inseparable from the occurrence of the marital crisis.As a result,the marital crisis becomes not only an important means to promote the development of the plot,but also a theme of the marriage story.Therefore,from the four aspects of the topic origin of the marital crisis in Baojuan,the types of the marital crisis in Baojuan,the structure of marital crisis stories in Baojuan,differences between the theme of the marital crisis in Baojuan and that in the opera,we can explore the changes of the theme of marriage and love under the influence of the social concept of marriage and folk morality at that time.

关 键 词：宝卷 婚变 程式化 

分 类 号：I276.6[文学—中国文学]