精卫故事演变探因——以明代《列国前编十二朝》为中心  

A Probe into the Evolution of Jingwei's Story in"The Twelve Dynasties"

作　　者：邓雷[1] 杨园媛 Deng Lei;Yang Yuanyuan(Fujian Normal University,Fuzhou,Fujian 350007)

机构地区：[1]福建师范大学文学院,福建福州350007

出　　处：《呼伦贝尔学院学报》2021年第6期90-93,共4页Journal of Hulunbuir University

基　　金：2020年教育部青年基金项目“海外藏《水浒传》稀见刊本整理与研究”(20YJC751003)。

摘　　要：精卫故事最早见于《山海经》,是人类试图征服自然的英雄神话,但随着时代发展,到明代的《列国前编十二朝》里演变成求仙路上因难舍儿女之情遭遇海难、坚守婚约,反抗龙王而化鸟的故事。编者如此改编,原因一是明代求仙问道的社会风气,二是明代的忠贞烈妇思想,三是体现出以盈利为目的的小说创作特点,四是因为以余氏为代表的建阳书坊主坚持不涉艳情的刊刻底线。The story of"Jingwei Filling the Sea"was first seen in"Shanhaijing".It was originally the theme of the heroic mythology that mankind tried to conquer nature.However,with the development of the times,it became a girl who is reluctant to give up love when she seeks immortality and failed so turned into a bird in the Ming dynasty novel"The Twelve Dynasties".The reason of why it adapted in this way,firstly due to the social ethos of seeking immortality in the Ming dynasty;secondly the thought of loyal martyrs in the Ming dynasty was further deepened;and third reflects the characteristics of novel creation for profit;fourthly the principle of publishing and engraving by the master of Jianyang bookshop,represented by the Yu family,was not involved in pornography.

关 键 词：精卫故事 演变 探因 列国前编十二朝 余象斗 

分 类 号：I207.4[文学—中国文学]