美国当代犹太诗歌的个人方言书写  

Ideolectical Writing in Contemporary Jewish American Poetry

作　　者：罗良功[1] Luo Lianggong(School of Foreign Languages,Central China Normal University,Wuhan 430079,China)

机构地区：[1]华中师范大学外国语学院

出　　处：《外国文学研究》2021年第6期30-38,共9页Foreign Literature Studies

摘　　要：美国当代犹太诗歌成长的基础是犹太书写与现代主义传统的对话,诗人们从新的社会现实出发,将犹太诗人的身份置于现代主义诗学实践及其意识形态机制之中进行审视并与之进行协商与交换,形成美国当代犹太诗歌的个人方言书写。本文以金斯堡与惠特曼的大众现代主义、查尔斯·伯恩斯坦与庞德的现代主义之间的诗学对话为例,梳理美国当代犹太诗歌的诗学理论与实践,探讨美国当代犹太诗歌的个人方言诗歌,剖析当代犹太诗人们具有鲜明个性导向和意识形态内涵的非标准语言实践。The development of contemporary Jewish American poetry is largely based on the dialog between Jewish writing and modernist legacy.Starting from a new social reality,contemporary poets situate their Jewish identity in the practice of modernist poetics and the ideology behind it for scrutiny,negotiation,and exchange in order to formulate the ideolectical writing of contemporary Jewish American poetry.This article focuses on two dialogs,one between Allen Ginsberg and Whitmanian popular modernist legacy,and another between Charles Bernstein and Poundian modernism,so as to tease out the theory and practice of contemporary Jewish American poetics,explore its“ideolectical”writing,and analyze these poets’personality-orientedness and“ideologically informed nonstandard language practice.”

关 键 词：美国犹太诗歌 个人方言书写 当代诗歌 金斯堡 查尔斯·伯恩斯坦 

分 类 号：I712.072[文学—其他各国文学]