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作 者:宋志明[1] Song Zhiming(College of Chinese Language and Culture,Beijing Normal University,Beijing,100875,China)
机构地区:[1]北京师范大学汉语文化学院
出 处:《外国文学研究》2021年第6期117-127,共11页Foreign Literature Studies
基 金:国家社科基金一般项目“尼日利亚作家沃勒·索因卡研究”(17BWW087)。
摘 要:卡布拉尔的文化理论是对非洲殖民历史经验的独特回应。卡氏认为,重建非洲文化必须克服保守的民族主义情绪,跨越追求文化“同质化”和排外的“民族主义陷阱”。“返回源头”不是抽象、静止地回归传统,而是夺回被殖民者篡夺和盗窃的历史,恢复民族不可剥夺的拥有自己历史的权力,维护自主发展民族生产力的自由。文化是民族解放斗争的关键因素,非洲文化的重建只有在具体的革命实践中才能完成,是一个革命的“重新非洲化”的过程。卡布拉尔所建构的是一种“非洲式的文化唯物主义”,突出了文化在历史发展和民族解放中的“第一性”和“主体性”地位,对后殖民主义等批判帝国主义文化霸权的理论思潮在世界范围内的兴起具有重要的启迪意义。Cabral’s theory of culture is a unique response to the African experience of colonia history. In Cabral’s view, to rebuild African culture, African people ought to overcome conservative nationalist sentiments and go beyond the cultural “homogeneity” and the exclusive “pitfalls of nationalism.” “Return to the source” is not an abstract and static return to tradition, but to recapture the history usurped and stolen by the colonists and restore a nation’s inalienable right to retain its own history and a nation’s freedom to safeguard the development of its national productivity. Culture is a key factor in the national liberation struggle, whereas the reconstruction of African culture can only be completed in concrete revolutionary practice. It is a revolutionary process of “re-Africanization.” What Cabral constructed is an “African style of cultural materialism,” which accentuates the “primary” and “subjective” status of culture in historical development and national liberation, and will exert an enlightening impact upon the worldwide surge of the Postcolonial and other theories that criticize the imperialist cultural hegemony.
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