论《声音从何处来?》中的空间与男性气质  

The Space and Masculinity in Where Is the Voice Coming From

作　　者：刘智欢[1,2] LIU Zhihuan(International College, Fujian Agriculture and Forestry University, Fuzhou, Fujian 350002;School of Foreign Studies, Nanjing University, Nanjing, Jiangsu 210023)

机构地区：[1]福建农林大学国际学院,福建福州350002 [2]南京大学外国语学院,江苏南京210023

出　　处：《绵阳师范学院学报》2022年第1期145-152,共8页Journal of Mianyang Teachers＇ College

基　　金：福建省社会科学规划项目“尤多拉·韦尔蒂作品中的空间政治研究”(FJ2018C073)。

摘　　要：在《声音从何处来?》中,尤多拉·韦尔蒂揭示了空间与男性气质之间的复杂关系。种族隔离的社会空间形塑了白人至上的支配性男性气质。故事中无名的主人公兼叙述者为了迎合种族主义社会的性别规范而不惜诉诸暴力,暗杀了黑人民权运动的领导人,但他对支配性男性气质的追寻却以失败告终。韦尔蒂批判了种族主义性别话语对白人男性的戕害,也揭示出白人至上的支配性男性气质与排外主义的美国国家认同之间的同构性。In her short fiction Where Is the Voice Coming From,Eudora Welty unfolds the complex relations between space and masculinity.The social space of racial segregation produces the hegemonic masculinity of white supremacy.In order to live up to the gender expectations of the society,the unnamed protagonist did not hesitate to use racial violence and murdered the leader of the Civil Rights Movement.Nonetheless,his quest for hegemonic masculinity ended in failure.Welty critiques the damages of racist gender discourses on white men,as well as reveals the close connections between hegemonic masculinity of white supremacism and American national identity based on exclusivity.

关 键 词：尤多拉·韦尔蒂 《声音从何处来?》 空间 男性气质 

分 类 号：I106.4[文学—世界文学]