论董解元《西厢记诸宫调》对红娘形象的再创造  

On Dong Jieyuan’s Re-Creation of the Image of Hongniang in The Tune of the West Chamber

作　　者：郑梓纯 ZHENG Zi-chun(College of Literature and Journalism,Hanshan Normal University,Chaozhou,Guangdong,521041)

机构地区：[1]韩山师范学院文学与新闻传播学院,广东潮州521041

出　　处：《韩山师范学院学报》2022年第1期62-69,共8页Journal of Hanshan Normal University

摘　　要：金代董解元创作的《西厢记诸宫调》在崔张爱情故事流变过程中起到了承上启下的作用。在《西厢记诸宫调》中,董解元通过对红娘身份设定及言行表现的具体描写,着重刻画了她心思单纯、热情善良、智慧聪明、爱憎分明、富于正义以及谨慎细致的性格特点,并让她在促进崔张姻缘的过程中展现出一定的斗争力量与反抗精神。董解元在《西厢记诸宫调》中对红娘形象的再创造,受到了时代背景、叙事需要和艺术形式的影响,同时也对后世西厢故事演绎中的红娘产生了深远的影响。The Tune of the West Chamber created by Dong Jieyuan in the Jin Dynasty served as a connecting link in the evolution of the love story of Cui and Zhang.In The Tune of the West Cham⁃ber;through the detailed description of Hongniang’s identity setting and her words and deeds,Dong Jieyuan emphatically portrayed her character traits of being simple-minded,warm-hearted,intelligent,righteous and cautious with a clearcut stand on what to love and what to hate,and showed her strug⁃gle and resistance in the process of promoting the marriage between Cui and Zhang.Dong Jieyuan’s re-creation of the image of Hongniang in The Tune of the West Chamber was influenced by the histori⁃cal background,narrative needs,and artistic forms.Meanwhile,it also had a far-reaching impact on later interpretations of Hongniang in the story of the Western Chamber.

关 键 词：《西厢记诸宫调》 董解元 红娘形象 崔张爱情 

分 类 号：I239.1[文学—中国文学]