《唱论》的“声音之学”研究与明清曲学体系的建构  

Exploration of the Sound Science of The Singing Theory and the Construction of the Music Studies in the Ming and Qing Dynasties

作　　者：易可鑫 YI Ke-xin(Department of Music,Anhui Huangmei Opera Art Vocational College,Anqing Anhui 246052,China)

机构地区：[1]安徽黄梅戏艺术职业学院音乐系,安徽安庆246052

出　　处：《南昌航空大学学报（社会科学版）》2021年第4期115-120,共6页Journal of Nanchang Hangkong University(Social Sciences)

摘　　要：《唱论》是最早系统论述“声音之学”的专著,其对于“声”的论述和探索,影响深远,启发后学。元明清的学者们以《唱论》为发轫自开宇宙,构建了以曲律、曲论为主体的汉语声乐研究体系,创造了曲学研究的辉煌,他们在各自的曲学研究领域接续《唱论》之“声”论述余绪,对“声”之研究纵横开拓,留下了丰厚的曲学遗产,影响深远。The Singing Theory is the earliest monograph that systematically discusses the study of sound.Its discussion and exploration of sound has a far-reaching impact and inspires future generations.Based on The Singing Theory,scholars in the Yuan,Ming and Qing Dynasties built a Chinese vocal music research system with opera patterns and theory as the main body and created the brilliance of opera research.They continued their research specifically on sound in The Singing Theory and have left a rich heritage of opera studies.

关 键 词：《唱论》 汉语声乐研究体系 曲学 建构 

分 类 号：J609[艺术—音乐]