涂尔干集体意识观下的产品情感化设计发展趋势研究  

Research on the Development Trend of Product Emotional Design under Durkheim’s Collective Consciousness View

作　　者：唐艺 陈子颖 TANG Yi;CHEN Zi-ying(School of Design Art and Media,Nanjing University of Science and Technology,Nanjing,Jiangsu 210094;School of Art,Southeast University,Nanjing,Jiangsu 211189)

机构地区：[1]南京理工大学设计艺术与传媒学院,江苏南京210094 [2]东南大学艺术学院,江苏南京211189

出　　处：《艺术百家》2021年第6期167-173,共7页Hundred Schools In Arts

基　　金：2020年度江苏省社会科学基金项目“设计教育中关于创新思维原动力问题研究”(项目编号:20YSD002)研究性成果之一。

摘　　要：设计作为人类生活方式的一种载体,是人类精神需求的承载和表达方式。情感化设计是在满足用户物质需求的基础上着眼于他们的情感需求,最终创造出令用户快乐和感动的产品的过程。论文在研究唐纳德·A.诺曼"三层次理论"的基础上,将涂尔干的集体意识观作用于反思层,深层次挖掘社群的情感需求,洞察产品所蕴含的精神价值与文化内涵,更好地发挥情感化设计的效用,同时,论文归纳情感化设计的优秀经验及现存问题,探索集体意识观下未来产品情感化设计的发展趋势。As a carrier of human life style,design bears part of the bearing and expression of human spiritual needs.Emotional design focuses on the emotional needs of users on the basis of meeting material needs,and ultimately creates products that make users happy and moving.Based on the study of Donald A.Norman’s"Three-Level Theory",Durkheim's view of collective consciousness is applied to the reflective layer,deeply digging into the emotional needs of the community,and insight into the spiritual value and cultural connotation that the product will express,Give better play to the effect of emotional design.At the same time,it summarizes the excellent experience and existing problems of emotional design,and explores the development trend of future product emotional design under the concept of collective consciousness.

关 键 词：涂尔干 集体意识观 情感化设计 设计产品 

分 类 号：J501[艺术—艺术设计]