城里人下乡:叙事空间的打开与控制——沈从文小说《三三》解读  

Townsfolks in the Countryside:The Opening and Controlling of Narrative Space in Shen Congwen’s Novelette Sansan

作　　者：罗宗宇[1] Luo Zongyu

机构地区：[1]湖南大学文学院,湖南长沙410082

出　　处：《首都师范大学学报（社会科学版）》2021年第6期118-124,共7页Journal of Capital Normal University：Social Science Edition

摘　　要：小说《三三》中的"城里人下乡"叙事与小说叙事空间的建构相关联。空间并置与空间叠加是小说《三三》中叙事空间打开的两种方式和表征。重复叙事与乡下人视角是叙事空间控制的两个重要技巧,其中乡下人视角隐含了对现代文明的反思和乡土文明的自信这一叙事意识形态。Shen Congwen’s Novelette Sansan, the story of townsfolks in the countryside, is a fine and novel example of spatial construction, taking spatial juxtaposition and spatial superposition as the two major specimen of opening a narrative space. Meanwhile, the author employs repetitive narration and rural perspective as two important techniques of controlling narrative space, with the rural perspective implying an ideological undercurrent, both a reflection on modern civilization and an affirmation of self-confidence in local ways.

关 键 词：沈从文 《三三》 城里人下乡 叙事空间 

分 类 号：I207.42[文学—中国文学]