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作 者:王茜 Wang Qian(The Palace Museum,Beijing,100009)
机构地区:[1]故宫博物院,北京100009
出 处:《博物院》2021年第6期120-125,共6页Museum
摘 要:《弘历骑马像轴》因年代久远,存在残缺、断裂、白化等现象,亟须保护。利用光学显微镜、扫描电子显微镜、能谱仪等仪器对该文物进行了系统分析研究。研究表明,油画使用了多种矿物颜料与黏合剂。结合对病害、材料、颜料、工艺分析研究结果,开展了清洁与加固的前期保护,并制定相应的后期保护修复方案,力求恢复文物原貌,展示其科学与艺术价值。对此幅绘画的研究可以丰富中国古代油画颜料的研究内容,也为大型古书画的修复提供新的经验。Emperor Qianlong in Armour on Horseback is generally incomplete,fractured,and bleached,which is in urgent need of protection.The painting has been systematically analyzed and studied by using optical microscope,scanning electron microscope,energy spectrometer and other equipments.Studies have shown that this oil painting uses a variety of mineral pigments and adhesives.Combined with the research of diseases,materials,pigments and techniques,the preliminary protection of cleaning and strengthening was carried out,and the corresponding restoration scheme was formulated to regain the original appearance of the painting and demonstrate their scientific and artistic value.The study of this painting can enrich the research of ancient Chinese oil paintings and provide new experience for the restoration of large ancient painting and calligraphy.
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