海盐腔消亡原因考  

On the Reasons of Haiyan Qiang’s Extinction

作　　者：戴和冰[1] DAI Hebing(Institute of Chinese Opera,Chinese National Academy of Arts,Beijing 100029)

机构地区：[1]中国艺术研究院戏曲研究所,北京100029

出　　处：《文化艺术研究》2021年第6期61-70,114,共11页Studies in Culture and Art

摘　　要：海盐腔是一种高、低兼容的声腔,亡于明末崇祯年间,导致它消亡的原因:一是口法不传,二是战争摧残。战争是共性,口法是个性,口法不传对其消亡具有决定性作用,战争只是加速了其消亡的步伐。海盐腔北曲色彩浓厚,它的消亡是元曲消亡大背景下的剧种消亡;低唱昆腔新兴,致高唱元曲衰败,这是一个声乐时代的逝去;海盐腔"高揭"的出现和进一步发展、流传,改变了高唱的传统格局,客观上是对北曲唱法的摒弃。Haiyan qiang, combining high and low pitches, became extinct at the end of Ming. Its extinction was mainly due to the loss of its way of singing and warfare, the latter contributing to it while the former deciding it. Stemmed from beiqu, Haiyan qiang died out in the context of the exhaustion of Yuan qu. The rise of dichang in Kunqiang contributed to the decay of gaochang in Yuan qu and the dying of the age of vocal music. The emerging, development, and inheritance of gaojie in Haiyan qiang altered the traditional frame of gaochang and, in fact, abandoned the traditional ways of singing of beiqu.

关 键 词：南戏海盐腔 低唱新兴 海盐“高揭” 字韵用南舍北 曲调改北为南 口法不传 

分 类 号：J809[艺术—戏剧戏曲]