“灵晕”即“启迪”:从原初性关系看媒介革命——本雅明媒介视域再阐释  

Aura as Illuminations: From Benjamin’s Media Revolution to the Digital Age

作　　者：孙藜 SUN Li(School of Journalism and Communication,Shanghai University of China)

机构地区：[1]上海大学新闻传播学院 [2]复旦大学信息与传播研究中心

出　　处：《国际新闻界》2021年第11期44-64,共21页Chinese Journal of Journalism & Communication

基　　金：教育部人文社科重点研究基地重大项目“中介化实践——中国现代城市媒介史”(17JJD860002)阶段性成果。

摘　　要：从讲故事到新闻信息,从绘画到摄影电影,从拱廊街到百货公司,在本雅明看来意味着整个人类感知与实践关系的革命性转变。其核心是蕴含着人与世界互惠关系的"灵晕"的消逝。依凭于神学传统下的模仿论语言观和历史哲学,本雅明的媒介视域寻视感知与交流方式的原初性存在,由此揭示媒介革命下的"传统崩析"与"人类更新"。这一视域特别瞩目于新媒介与集体经验中记忆方式的重组,既批判性呈现了现代经验空洞化、抽象化以及被操弄化的媒介机制,亦开放性地以"建筑"为隐喻,从潜意识与理性两种感知、记忆模式关系的角度,预示新媒介所生成的新公共文化实践。在"灵晕"于没落中转换"新生"的期备之中,这一媒介视域展示着回应数字媒介时代感知与交流方式演化的丰富启迪。The core of Walter Benjamin’s media vision is the decline of “aura”, which contains the reciprocal relationship between man and the world. Relying on the theological tradition, Benjamin explored the original existence of human perception and communication, thusrevealing the “traditional collapse” and “human renewal” under the media revolution. This field of vision focuses on the reorganization of new media and memory mode in collective experience. It not only critically presents the media mechanism of modern experience being abstracted and manipulated, but also uses “architecture” as a metaphor to indicate the new public cultural practice generated by the new media tactility. On the possibility of aura rising again, this media vision shows the rich enlightenment of responding to the challenge of perception and communication mode in the era of digital media.

关 键 词：灵晕 技术 本雅明 媒介革命 原初性关系 

分 类 号：G206[文化科学—传播学]