媒介融合时代黑龙江少数民族文学当代发展策略研究  

Contemporary Development Strategies for Heilongjiang Minority Literature in Media Convergence Era

作　　者：刘冰[1,2] 柴华 包学敏[1] Liu Bing;Chai Hua;Bao Xuemin(Heihe University,Heihe 164300,China;Research Center for New Chinese Literature,Nanjing University,Nanjing 210046,China)

机构地区：[1]黑河学院,黑龙江黑河164300 [2]南京大学中国新文学研究中心,江苏南京210046

出　　处：《黑河学院学报》2022年第1期119-121,共3页Journal of Heihe University

基　　金：黑龙江省艺术科学规划项目“‘中华民族共同体’视域下黑龙江省少数民族文学当代发展机制创新研究”(2019D060);黑龙江省哲学社会科学研究规划项目“黑龙江流域世居少数民族文学意识与当代作家培养机制研究”(19ZWC141)。

摘　　要：数字时代来临彻底改变了中国文学的发生现场,媒介从文学的传播载体上升为具有建构意义的主体性力量,原本逐渐沦于文学边缘的黑龙江少数民族文学迎来了新的发展机遇。一方面可借由网络文学创作对内不断促动自反性价值认知的产生和个体民族身份认同的分化,对外发挥粘合剂作用,强化“中华民族共同体”各民族间的交流与融通;另一方面数字化传播在恢复黑龙江少数民族文学原生态面貌、扩大文学影响受众面、打造文化全产业链方面也将起到积极的推动作用。The advent of the digital era has a direct influence on Chinese literature.The media has changed to the subjective power with constructive signifi cance from the carrier of literature.Under this circumstance,Heilongjiang minority literature,which had been gradually reduced to the edge of literature,has ushered in a new development opportunity.Internally,the creation of network literature can constantly promote the generation of self-refl exive value cognition and the diff erentiation of individual ethnic identity;externally,it plays the role of adhesive to strengthen the communication and integration of all ethnic groups in the“Chinese nation community”.Meanwhile,digital communication plays a positive role in restoring the original ecological features of Heilongjiang minority literature,expanding the infl uence of literature on the audience and building the whole cultural industry chain.

关 键 词：黑龙江文学 少数民族文学 媒介融合 网络文学 数字化传播 

分 类 号：G127[文化科学]