李斯特《奥伯曼山谷》的演奏与分析  

The Performance and Analysis of Liszt’s Obermann’s Valley

作　　者：高菲[1] Gao Fei(Huainan Normal University,Huainan 232001,China)

机构地区：[1]淮南师范学院,安徽淮南232001

出　　处：《黑河学院学报》2022年第1期135-137,共3页Journal of Heihe University

摘　　要：弗朗茨·李斯特演奏风格极具技巧性和炫技性,在19世纪欧洲音乐史上开创了炫技性的演奏风格,在作曲方面更喜欢标题音乐,创造了旋律诗歌类型和调音技巧。打开无调音乐的诞生序幕,创造浪漫主义的原则,而不是受传统贵族阶层影响的传统主义音乐。《奥伯曼山谷》是深入了解李斯特音乐风格和技巧的重要作品。In the history of European music in the 19th century,Franz Liszt creatsa showy playing style because of his very skillful and showy playing style.In terms of composition,he prefers title music and creates the type of melody poetry and tuning techniques.In this way,he opens the birth of atonal music and creates the principle of romanticism.His music is far more than traditionalist music infl uenced by traditional aristocracy.Liszt’s important work,Obermann’s Valley,provides an insight into understanding his musical style and technique.

关 键 词：《奥伯曼山谷》 李斯特 浪漫主义 演奏分析 

分 类 号：J624.1[艺术—音乐]