Lo娘的“三次元”文化空间——女性主义后亚文化视角下的穿着经验  

The “Third Dimension” Cultural Space of Lolita: A Feminist Post-subcultural Study on the Dressing Experience

作　　者：徐亚萍 穆白玥 XU Yaping;MU Baiyue(the Film-TV and Communication College of Shanghai Normal University)

机构地区：[1]上海师范大学影视传媒学院

出　　处：《国际新闻界》2021年第10期50-68,共19页Chinese Journal of Journalism & Communication

摘　　要：本研究结合女性主义物质文化研究视角和后亚文化范式,在穿着经验范畴中,考察本土Lolita参与者(Lo娘)与脱胎于网络的审美人造物(Lo裙)的关系,以此理解性别化、媒介化的环境中少女的主体意识。研究着重考察了性别规范、数字网络技术与参与者实践的相互关系,检视参与者自我叙事与流行Lolita形象的关系。研究发现,既赋能又施压的数字网络,推动了少女与人造物的结盟,构成了Lo娘寻求自我认同、疏远群聚认同的"三次元"私人领域。"三次元"揭示了一种更广泛的、扬弃数字网络的"后数字"意识构型阶段,穿着Lo裙在此成为模仿肉身具身的确定亲密感、协商媒介化现实的超具身实践。文章最后讨论后亚文化主体的超具身实践对于女性主义政治和文化研究的启示。Combining the feminist perspective on material cultures and the post-subcultural paradigm, we examine the dressing experiences of local Lolita girls, to understand the subjectivity of girls in the gendered and mediatized milieu. The study analyzed the interplay of gender norms, digital web technologies and participant experiences, and the tension between self-narratives andpopular representations. It flnds that technologies are both empowering and inserting pressures, encouraging the alliance between Lolita participants and the artifacts, which constitutes the “third dimension” private sphere of Lolita. It suggests a further developed stage of “post-digital” consciousness configuration that is characterized by a sublation of digital networks, where dressing becomes a hyper-embodied practice as a mimesis on qualitatively secure and intimate experience of the corporeal embodiment, negotiating with the mediatized reality. We discuss the theoretical implications of the hyper-embodiment of the post-subcultural subject for feminist politics and cultural studies.

关 键 词：LOLITA 性别 泛二次元 后亚文化 超具身 

分 类 号：C913.68[经济管理] G206[社会学]