自我形象的分裂与挣扎——《迟桂花》意义的再探析  

The Splitting and Struggling of Self-image——a Further Analysis of the Meaning of"Sweet-scented Osmanthus in Belated Bloom"

作　　者：肖男 XIAO Nan

机构地区：[1]闽南师范大学文学院,福建漳州363000

出　　处：《淮北职业技术学院学报》2022年第1期105-108,共4页Journal of Huaibei Vocational and Technical College

摘　　要：小说将“老郁”和“翁则生”两个叙述主体放在一起进行看似矛盾的对话,其实正体现了作家在两种价值观中的痛苦挣扎。同时,“翁则生”这一消沉、颓废的形象恰恰显示了作家独特意义上的积极反抗。《迟桂花》有浓厚的自叙色彩,小说揭示了两个叙述主体的矛盾,以及叙事矛盾里的反抗意识。郁达夫后期的挣扎、反抗、逃避等多重心态均通过《迟桂花》里的两个文本真实地呈现在读者面前。The novel puts the two narrative subjects"Lao Yu"and"Weng Zesheng"together for a seemingly contradictory dialogue,which actually reflects the writer's painful struggle between the two values.At the same time,the depressed and decadent image of"Weng Zesheng"just shows the writer's active resistance in a unique sense."Sweet-scented Osmanthus in Belated Bloom"has a strong self-narrative color,and it reveals the contradiction between the two narrative subjects and the consciousness of resistance in the narrative contradiction.Yu Dafu's later struggle,resistance,escape and other multiple mentality are truly presented to the readers through the two texts in it.

关 键 词：《迟桂花》 自我形象 矛盾 反抗意识 

分 类 号：I246[文学—中国文学]