全球视野下架上艺术的当代发展——基于8届北京双年展的实践  

Contemporary Development of Framed Art Based on the Past Eight Year's Practices of the Beijing International Art Biennale from a Global Perspective

作　　者：梁喆 Liang Zhe

机构地区：[1]首都师范大学美术学院

出　　处：《美术》2022年第1期13-18,22,共7页Art Magazine

摘　　要：自2003年首届中国北京国际美术双年展成功举办以来,至今已举办8届,2022年将迎来第九届。从历届北京双年展来看,其策展理念是以国际视野关注架上艺术的当代延伸并展现各国艺术之间的交流互鉴,提出了对当代艺术发展的不同见解,也获得了国内外越来越多的认同。文章通过对前8届北京双年展的历史梳理、在世界语境和社会语境下观察展览主题与作品的关系及其所产生的影响3部分的论述,呈现了全球视野下北京双年展所展示的架上艺术的当代发展和关于世界艺术发展的另一种思考。The Beijing International Art Biennale has been held 8 times since its first appearance in 2003.The year 2022 will see the opening of the 9th Beijing International Art Biennale.As can be seen from these successive rounds,the curating concept of the biennale is to focus on the contemporary extension of framed art from a global perspective and showcase mutual exchanges of experiences in the art of different countries.Given such a concept,different insights into the development of contemporary art have been proposed,which have received wider recognition from both domestic and international arenas.In this paper,the history of the previous 8 rounds of the Beijing International Art Biennale is reviewed,the relationship between exhibition themes and works,as well as their impacts,is explored in both the global and social contexts,with a view of presenting another angle of thought on the contemporary development of framed art exhibited by Beijing International Art Biennale from a global perspective,as well as on the development of art worldwide.

关 键 词：北京双年展 架上艺术 当代艺术 当代性 全球视野 社会语境 

分 类 号：J209[艺术—美术]