传统京剧丑角剧装图案语义解读  

The Semantic Interpretation on the Clown Costume Patterns of Traditional Peking Opera

作　　者：王浈羽 滕雪梅 齐玉 Wang Zhenyu;Teng Xuemei;Qi Yu

机构地区：[1]北京联合大学艺术学院

出　　处：《服装设计师》2022年第2期128-134,共7页Fashion China

基　　金：北京市教育委员会社科计划重点项目(SZ201911417030)。

摘　　要：京剧剧装图案来源于传统服饰图案,基于舞台表演艺术的需求,在京剧角色塑造的过程中丑角剧装图案的语义发生嬗变。本文以符号学为视角,借助文献研究的方法,对京剧丑角的剧装图案语义进行初步探究,解读在原有吉祥寓意的基础上,其语义异化现象并不是偶然形成的,而是在戏剧舞台审美背景下得以成立的独特艺术特征。研究结果表明,京剧表演艺术丰富了传统图案的语义,对传统图案文化的传承与创新提供了一个新思路。The costume patterns of Peking Opera originate from traditional traditional costume patterns.While in the process of shaping Peking Opera roles,the semantics of clown costume patterns have changed based on the needs of stage performance art.In this thesis,a preliminary exploration on the semantics of the costume patterns of Peking Opera clown is carried out from the perspective of semiotics and by virtue of literature research methods.According to the interpretation on the basis of the original auspicious implication,it is found that the semantic alienation phenomenon is not accidental,which is a unique artistic feature established under the aesthetic background of the drama stage.From the research results,it indicates that the performance art of Peking Opera enriches the semantics of traditional patterns,which provides a new idea for inheriting and innovating traditional pattern culture.

关 键 词：京剧丑角 符号学 传统吉祥图案 剧装图案 

分 类 号：J82[艺术—戏剧戏曲]