The Media Fusion and Digital Communication of Traditional Murals-Taking the Exhibition of the Series of Tomb Murals in Shanxi During the Northern Dynasty as an Example  

作　　者：WANG Zhi-jun MI Xue 

机构地区：[1]Academy of Fine Arts,Shanxi University,Taiyuan,Shanxi 030006,China

出　　处：《Journal of Literature and Art Studies》2022年第1期63-71,共9页文学与艺术研究（英文版）

基　　金：This study was supported by the“2019 Planning Fund Project for Humanities and Social Science Research,Ministry of Education,China”;Project title:“Research on the Image of Utensils in the Remains of Ancient Murals in Shanxi-From Song and Jin to Ming and Qing”(approval number:19YJA760066).

摘　　要：Traditional murals and their image remains are an important art category and visual language,as well as a special architectural type.Traditional murals are roughly divided into temples,grottoes,tombs and other types according to space,function and function.No matter what type of traditional mural,its basic function is to convey information through visual images.With the development and application of information technology and digital technology,traditional mural paintings have undergone changes in space,material,and form in the exhibition-gradually transitioning from ancient rock murals to multi-sensory participation under digital screen display.Because of the intervention of digital media,in many digital mural exhibitions in recent years,not only the spatial presentation and viewing of murals have formed a multi-dimensional visual correspondence but also the exhibition language of murals is enriched or supplemented.

关 键 词：digital media mural frescoes dimensionality 

分 类 号：B94[哲学宗教—宗教学]