论加缪荒诞创作的叙事艺术  

An Analysis of the Narrative Art of Camus’s Absurd Creation

作　　者：陈阳 蒋丽[1] CHEN Yang;JIANG Li(School of Humanities,Shaanxi University of Technology,Hanzhong 723001,Shaanxi,China)

机构地区：[1]陕西理工大学人文学院,陕西汉中723001

出　　处：《安康学院学报》2022年第1期68-74,87,共8页Journal of Ankang University

基　　金：陕西理工大学研究生创新基金项目阶段性研究成果“西方现代主义小说疾病书写研究”(SLGYCX2104)。

摘　　要：加缪的荒诞创作包括理论和实践两个层面。荒诞是贯穿加缪创作始终的主题。为了完美地展现这一主题,加缪在创作《堕落》《局外人》和《鼠疫》时不同程度地使用了元故事叙事和内聚焦叙事,从而使读者产生了与作家直接对话的错觉,这实际上是加缪为读者所设置的陷阱——作家的伪介入。从效果而言,作家隐匿的事实与伪介入的文本叙事呈现出一种矛盾,而这种矛盾是加缪展现荒诞主题的理想载体。加缪小说的叙事随着其思想的发展而有所变化,但从宏观角度而言,时间倒错是这类叙事形式表现出来的通性。Camus’s absurd creation includes two aspects:theory and practice.Absurd is the theme throughout Camus’s creation,in order to show this theme perfect,Camus in the creation of Falling Outsiders and Plague to varying degrees to use the yuan story narrative and focus on narrative,which makes the reader have the illusion of direct dialogue with the writer,this is actually the trap set for readers——writer pseudo intervention.In terms of effect,the hidden facts of the writer show a contradiction with the expression of the fake intervention text,and this contradiction is the ideal carrier for Camus to show the absurd theme.The narrative of Camus’s novel changes with the development of its ideas,but from a macro perspective,inverted timing is the universality of these narrative forms and,in essence,the result of Camus’s own choice.

关 键 词：加缪 荒诞创作 叙事理论 荒诞 隐性角色 伪介入 时间倒错 

分 类 号：I106[文学—世界文学]