唐代俗赋的民间传播  

Folk Communication of SuFu in Tang Dynasty

作　　者：尤红娟[1] You Hongjuan(School of Literature, Xi’an University, Xi’an 710065 China)

机构地区：[1]西安文理学院文学院,西安710065

出　　处：《西安文理学院学报（社会科学版）》2021年第4期37-40,共4页Journal of Xi’an University(Social Sciences Edition)

摘　　要：敦煌遗书中留存的俗赋属于民间赋,多采用通俗夸张的语言铺叙故事、描写人物,一方面揭示社会生活和人情世态中的各种矛盾与危机,另一方面讽喻现实。根据其写作内容和语言特点,可以推测传播者主要是民间人士,还有一类是底层文人,创作是为了满足老百姓的欣赏需求,实现大众的娱乐目的。目前所看到的敦煌俗赋,传播方式基本上有两种:一种是通过讲诵或讲唱的方式在民间传播,另一种则是通过抄写的方式流传四方。唐代俗赋的受众很广泛,波及宫廷和民间,包括文人群体,因切近下层人民的生活,取乐于万民才是真正的传播目的。唐代通俗文艺发展繁荣,民间娱乐日益多样化,戏曲、唱词等民间文学发展迅速,俗赋逐渐退出历史舞台。但俗赋的影响力并未消失,它附着在变文、小说、戏曲等其他通俗文艺之上,在民间传播。SuFu preserved in Dunhuang document belongs to SuFu.Popular exaggerated language is often used to tell stories and describe people’s property.On the one hand,it reveals various contradictions and crises in social life and human feelings,and on the other hand,it allegories reality.According to its writing content and language characteristics,it can be inferred that the communicators are mainly folk people,and another kind is the bottom literati.Creation is to meet the appreciation needs of ordinary people and realize the entertainment purpose of the masses.At present,there are basically two ways to spread Dunhuang document:one is to spread it among the people by reciting or singing;The other is to spread widely by copying.SuFu in Tang Dynasty has a wide audience,which affects the court and the folk,including the literati group.Because it is close to the life of the lower class people,it is the real communication purpose to enjoy all the people.In Tang Dynasty,popular literature and art flourished,folk entertainment became increasingly diversified,folk literature such as opera and lyrics developed rapidly,and Sufu gradually withdrew from the historical stage.However,the influence of Sufu has not disappeared.It is attached to other popular literature and art such as literature,novels and opera,and spread among the people.

关 键 词：俗赋 戏谑 铺叙 诵唱 抄写 取乐于万民 

分 类 号：I207.224[文学—中国文学]