碰撞与交流:新中国成立初期美国电影在华的命运变迁  

Collision and Communication:The Fate Changes of American Films in the Early Days of New China

作　　者：王玉良[1] WANG Yuliang(School of Communication,Nanyang Institute of Technology,Nanyang 473000,China)

机构地区：[1]南阳理工学院传媒学院,河南南阳473000

出　　处：《重庆邮电大学学报（社会科学版）》2022年第1期164-172,共9页Journal of Chongqing University of Posts and Telecommunications(Social Science Edition)

基　　金：教育部人文社会科学研究青年基金项目:战后好莱坞电影在中国的传播及影响研究(19451949)(19YJC760112);2020年度河南省高等学校青年骨干教师培养计划。

摘　　要：由于电影艺术的特殊属性,无论从社会舆论角度,还是意识形态监控方面,都决定了电影审查的必要性。新中国成立初期,鉴于美国电影的社会影响,为了稳定社会秩序,人民政府对国民政府时期遗留下的大批美国电影进行了审查。对美国电影的审查,构成了这一时期中国电影市场管控的重要内容,也折射出美国电影在华的命运变迁。尤其当时美国电影《社会中坚》在国内的宣传和公映,说明了在特殊的历史时期,意识形态对电影审查和市场行为的决定性影响。它不仅体现了人民政府在规范市场、统一思想方面的重要作用,也反映了中美两国在意识形态和政治文化方面的碰撞与交流。Due to the special characteristics of film art,both from the perspective of public opinion and government supervision,the necessity of film censorship is determined.Before and after the founding of New China,in view of the social influence of American films,in order to stabilize the social order,the new regime reviewed a large number of American films left over from the National Government.The censorship of American films constitutes an important part of the control of the Chinese film market during this period.In particular,the publicity and release of the American film Salt of the Earth in new China showed the decisive influence of ideology on film censorship and market behavior.It not only reflects the important role of the people’s government in regulating the market and unifying ideas,but also reflects the collisions and communication between China and the United States in ideology and political culture.

关 键 词：新中国 电影审查 美国电影 《社会中坚》 

分 类 号：J905[艺术—电影电视艺术]