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作 者:关键 Guan Jian
机构地区:[1]故宫出版社,北京100009
出 处:《文博学刊》2021年第4期89-98,共10页Journal of Archaeology and Museology
摘 要:今释作为明末的遗民僧人,在清初的广东书坛具有重要地位,近人在论其人品时,兼及其书,其中亦有涉及澹归书风及书法渊源者。故宫博物院收藏今释书法多件,现择其中重要者,略作考证,并结合前人所论,略述今释书学宗尚。As a loyalist monk in the late Ming and early Qing dynasties,Jinshi played an important role in the Guangdong calligraphy circle in the early Qing dynasty.When discussing Jinshi’s character,modern scholars often turn to his calligraphic style and its origin.There are many pieces of Jinshi’s calligraphy in the Palace Museum’s collection,and we select the important ones for textual investigation,combined with previous related studies,we make a brief analysis on the style and its origin of Jinshi’s calligraphy.
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