在思想启蒙与文学建设之间——鲁迅《莽原》编辑论  

Between Ideological Enlightenment and Literary Construction——Editorial Theory of Lu Xun’s Mang Yuan

作　　者：陈树萍 CHEN Shu-ping(School of Liberal Arts,Nantong University,Nantong 226019,China)

机构地区：[1]南通大学文学院,江苏南通226019

出　　处：《南通大学学报（社会科学版）》2022年第1期47-54,共8页Journal of Nantong University:Social Sciences Edition

基　　金：国家社会科学基金一般项目“新书业与1930年代文学生产研究”(20BZW131)。

摘　　要：在新文化运动的启蒙实践中,文学革命是极为重要的突破口。以文化批判为主导的《新青年》不仅为新文学开辟了一块园地,也使其成为思想革命的重要载体。《新青年》的这一办刊理念也延续至周作人、鲁迅等人对《语丝》的呵护中。《莽原》从思想与文学并重向纯文学的渐变意味着以鲁迅为代表的《新青年》同人的新文学建设路径的探索与成型。《莽原》逐渐疏离社会批评,而更热衷于新文学创作与外国文学翻译表明一点:从《新青年》到《莽原》,以启蒙为己任的鲁迅意识到新文学独立生长的姿态已经充分形成,刊物的纯文学化趋势不可避免。这一趋势既延续到了鲁迅后期主编的《奔流》等刊中,也在其他新文学早期刊物中得到了印证。In the enlightenment of the New Culture Movement,literary revolution was an extremely important breakthrough.New Youth dominated by cultural criticism not only opened up a field for new literature but also made it an important carrier of ideological revolution.The concept of New Youth was also continued in the running of Yusi by Zhou Zuoren,Lu Xun and others.The gradual transition of Mangyuan from thought and literature to pure literature signifies the exploration and formation of the new literary construction path of New Youth represented by Lu Xun and his colleagues.Mangyuan gradually alienated social criticism and became more enthusiastic about new literary creation and translation of foreign literature,which evidenced that from New Youth to Mangyuan,Lu Xun,who took enlightenment as his own responsibility,realized that the posture of independent growth of new literature had been fully formed,the pure literary trend of publications inevitable.This trend was not only continued in the Benliu and other journals edited by Lu Xun in his later period but was also confirmed in other early journals of new literature.

关 键 词：鲁迅 《莽原》 思想启蒙 文学建设 

分 类 号：I210.97[文学—中国文学]