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作 者:宋开玉[1] SONG Kai-yu
出 处:《北方论丛》2022年第1期142-152,共11页The Northern Forum
摘 要:婚嫁礼俗是中国古代礼俗的重要组成部分,以儒家思想为主体统治思想的中国社会的婚姻礼俗遵从《礼记》婚姻"六礼"之制,在不同的时代、不同的地区、不同的阶层或有变异。旧传为清代蒲松龄所作的《琴瑟乐》是一篇描写女子婚姻的俚曲作品,叙述了从少女思嫁到夫妻美满的整个民间婚姻过程。它所反映的清初山东民间婚俗,仍以《礼记》"六礼"为基本框架,一方面传承着"六礼"传统,同时,受民间经济和世俗社会的影响,这一时期的民间婚俗向着更务实、更世俗、更喜庆的方向发展。Etiquette of marriage is an important component of ancient Chinese etiquette and custom,which treats Confucianism as the dominant thought,complies with the system of“the six ceremonies of betrothal and marriage”in the Book of Rites,and changes in different times,regions and hierarchies.It was said that Qin Se Yue(The Matrimonial Pleasure),which was composed by Pu Songling in Qing Dynasty,was a piece of folk music about women’s marriage.This work describes the whole process of folk marriage from a young woman’s falling in love to conjugal bliss.We can see that“the six ceremonies of betrothal and marriage”in the Book of Rites are still the basic frame of folk etiquette of marriage(marriage’s folk etiquette)in Shandong in the early Qing Dynasty.It inherited the tradition of“the six ceremonies of betrothal and marriage”.On the other hand,influenced by folk economy and secular society,folk etiquette of marriage in this period developed towards a more practical,temporal and festive direction.
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