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作 者:蔡燕 彭仕伟 CAI Yan;PENG Shiwei(Journal Editorial Department,Qujing Normal University,Qujing,Yunnan 655011;Luoping No.4 Middle School,Qujing,Yunnan 655011)
机构地区:[1]曲靖师范学院学报编辑部,云南曲靖655011 [2]罗平县第四中学,云南曲靖655800
出 处:《玉溪师范学院学报》2021年第4期65-71,共7页Journal of Yuxi Normal University
基 金:国家社会科学基金项目“唐宋城市转型与文学变革关系研究”(项目编号:15xzw025)阶段性成果。
摘 要:唐中叶以后,随着城市商业、文化功能的强化,城市的优势逐步显现,城乡失衡的格局形成。园林文学是中唐元白诗派文人在唐宋城市转型过程中向内调适城乡失衡的焦灼而带来的艺术凝结,在中隐观念主导下,城市私家园林弥合了城市与山林的矛盾;在实践形态上,私园的大量建构与诗文游赏酬答展示是唐宋园林文学兴起的重要原因。After the middle of the Tang Dynasty, with the strengthening of the commercial and cultural functions of the city,the advantages of the city over the countryside gradually emerged, and a pattern of unbalanced separation of urban and rural areas has formed. Garden literature is the artistic condensation brought about by the literati of the Yuanbai poetry school of the Mid-Tang Dynasty during the urban transformation process of the Tang and Song Dynasties. In the process of urban transformation in the Tang and Song Dynasties, the urban-rural separation and imbalance were adjusted inwardly. Under the guidance of the Zhongyin concept, urban private gardens bridged the contradiction between the city and the forest;in practice and in form, the massive construction of private gardens and the exhibition of poems and essays are important reasons for the rise of garden literature in the Tang and Song dynasties.
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