驱逐“神性”拷问“人本”——论《马尔多罗之歌》中“两希”文化的冲突  

On the Cultural Conflict Between the Christian Culture and the Ancient Greek Culture in“Les Chants de Maldoror”

作　　者：向征[1] XIANG Zheng(Xi’an International Studies University,Xi’an 710128,China)

机构地区：[1]西安外国语大学欧洲学院,陕西西安710128

出　　处：《哈尔滨学院学报》2022年第2期81-85,共5页Journal of Harbin University

基　　金：2020年教育部人文社会科学研究规划基金项目,项目编号:20YJA752015。

摘　　要：《马尔多罗之歌》是19世纪法国作家洛特雷阿蒙创作的散文诗,由六支歌组成,其内容攻击和嘲笑上帝、人类、家庭、道德,甚至文学艺术本身,将一切反叛和摧毁都夸张到惊世骇俗的极端。对于非西方文化语境的读者而言,只有从西方文化的源头,即希伯来—基督教文化和古希腊文化入手,才能理解洛特雷阿蒙对“理性”的反叛,对“原欲”的张扬,对“人本”的拷问,才能理解在历史长河中积淀形成的西方的“文化—心理结构”,理解这种影响个人意志的相对稳定的社会存在,以及在这样特定的文化背景下,文学创作所受到的影响。“Les Chants de Maldoror”,is a prose poem written by French writer Comte de Lautréamont in the 19^(th) century.It consists of six songs.Its content attacks and ridicules God,mankind,family,morality,and even literature and art itself,exaggerating all rebellion and destruction to the extreme of shocking the world.For readers in non-Western cultural context,only by starting with the source of western culture,namely Hebrew Christian culture and ancient Greek culture,can they understand Lautréamont’s rebellion against“rationality”,the publicity of“original desire”,the torture of“humanism”,and the western“cultural psychological structure”accumulated in the long history,which can also help understand the relatively stable social existence that affects individual will and the impact on literary creation under such a specific cultural background.

关 键 词：洛特雷阿蒙 《马尔多罗之歌》 希伯来—基督教文化 古希腊文化 理性 原欲 

分 类 号：I565.072[文学—其他各国文学]