“红光满室”叙事的渊源学考察  

Narrative of Roomful Red Light at Birth of Emperors:A Crenologie Investigation

作　　者：张同胜[1] ZHANG Tong-sheng(School of Chinese Language and Literature,Lanzhou University,Lanzhou 730020,China)

机构地区：[1]兰州大学文学院,甘肃兰州730020

出　　处：《辽东学院学报（社会科学版）》2022年第1期103-113,共11页Journal of Liaodong University：Social Science Edition

基　　金：国家社会科学基金西部项目“中国古代文学阐释机制研究”(20XZW003)。

摘　　要：古代中国小说、文人笔记、正史杂记中,帝王降诞时的"红光满室"叙事可追根溯源至游牧民族的光孕、白光崇拜以及对日神的崇奉,从而,人们潜意识里认为帝王实乃太阳神在人世间的化身这一观念就成为"君权神授"合法性的政治伦理依据。汉语言文学叙事中的"红光满室",历经游牧民族的光孕政治文化,而可源流考镜至琐罗亚斯德教崇尚火与光明的文化影响。In ancient Chinese novels,literati notes and official history notes,the narrative of the roomful red light when emperors were born can be traced back to the pregnancy with light of nomadic people,the worship of white light and the worship of the sun god.Therefore,people subconsciously believe that the emperor is actually the embodiment of the sun god in the human world,which becomes the political ethics of the legitimacy of the "divine right of kings".The narrative of the roomful red light in Chinese literature can be traced to the Zoroastrianism culture that worships fire and light by way of the political culture of pregnancy with light of the nomads.

关 键 词：“红光满室” 光孕 太阳崇拜 君权神授 祆教 

分 类 号：I207.41[文学—中国文学]