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作 者:王辰晨 Wang Chenchen(School of Foreign Language,Huazhong University of Science and Technology,Wuhan 430074,China)
机构地区:[1]华中科技大学外国语学院
出 处:《外国语文研究》2021年第6期23-31,共9页Foreign Language and Literature Research
基 金:国家社科基金青年项目“美国非裔女性作家的日常生活书写研究(1964-2000)”(19CWW022)的阶段性成果。
摘 要:一战后的"大迁徙"和民权运动后的非裔南方回迁是美国非裔通过空间移动获得社会流动性的实践。在《所罗门之歌》中,托妮·莫里森运用两次迁徙的历史语境编制小说情节,其文本细节映射出同化政治与文化民族主义话语对非裔社区的影响,并揭示了民族主义话语的局限性。本文从流动性的政治视角聚焦《所罗门之歌》中非裔社区在两次迁徙中的变迁。民权运动中"南方故土"的话语建构作为对抗北方同化政治的策略,维系处于分崩离析危险中的非裔社区。然而,"南方故土"话语也隐藏着不易察觉的怀旧倾向,具有种族沙文主义的偏见。小说借此展开对民族主义话语的批判,探寻美国非裔"走向何处"的道路。The Great Migration after WWI and the return migration to the South are practice to win the freedom of social mobility by spatial mobility. Song of Solomon by Toni Morrison presents the influence of Assimilation and cultural nationalism on the transformation of African American community. This article focuses on the transformation of African American community from the perspective of mobility. In the process of the urbanization along with the Great Migration, the narrative of the South as home helps to shape the discourse to resist against the assimilation in the Northern landscape and unite the African American community. However, the discourse of the South as home provides a sense of nostalgia with racial chauvinism, for which the novel targets to offer a possible solution to the question "where do we go from here" by Dr. Martin Luther King, Jr.in the end of the Civil Rights Movement.
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