宋代诗学史视域下的险韵诗创作  

The Creation of Xian Yun Poems from the Perspective of Song Poetry History

作　　者：黄金灿 HUANG Jincan

机构地区：[1]华南师范大学文学院,广东广州511400

出　　处：《淮南师范学院学报》2022年第1期119-124,共6页Journal of Huainan Normal University

基　　金：中国博士后科学基金资助项目“历代韵书型类书研究”(2020M672665)。

摘　　要：将宋人的险韵诗创作置于宋代诗学史的视域下观照,能够发现许多生动的诗学细节,有助于加深对宋代诗歌与诗学的认识。宋代诗人的险韵诗创作,相对于宋代以前的时代而言,有范围更大、造诣更深等特点。其中王安石、苏轼、黄庭坚的创作更是个中翘楚。王安石的险韵诗被认为能够“角立苏黄”,而苏轼、黄庭坚的险韵诗则一被叹为“冥搜至此”,一被赞为“妙不可言”。三位大诗人的险韵诗创作不仅取得了引人瞩目的艺术成就,而且对后人的影响不容小觑。尤值一提的是,令人耳目一新的“尖叉”唱和,更是引发后人持久的兴趣,成为引人注目的诗学话题。The poets in the Song Dynasty paid much attention to Xian Yun poetry;their profound accomplishments in using rhyme and their influence on later generations of similar works were almost unmatched by poets of other ages.Many of the writer's Xian Yun creation reflects the superb artistic skills.The creation of Wang Anshi,Su Shi and Huang Tingjian is even more outstanding.Not only has it achieved remarkable artistic achievements,but its impact on future generations can not be underestimated.A refreshing creation named"Jian Cha"becomes a perpetual poetic topic,and aroused many simulation and commentary by later generations.

关 键 词：险韵诗 王安石 苏轼 黄庭坚 “尖叉” 

分 类 号：I207.22[文学—中国文学]