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作 者:陈啸[1] Chen Xiao(South-Central Minzu Uniersity)
机构地区:[1]中南民族大学文学与新闻传播学院
出 处:《写作》2021年第6期36-45,共10页Writing
基 金:中央高校基金重点项目“南北文化视野下“京派”“海派”对峙格局打破后的转移、变异研究”(项目编号:CSZ21014)。
摘 要:京派散文的语言是一种古今中外等多种语言资源融汇一体的狂欢化的语言形态,它以较为纯熟的现代汉语句式,融合感性与理性,以精英化独白等表现形式,为读者营造了一种感性或理性、平淡与丰蕴、古典与现代的语言盛宴。它是古今中外、城市乡间、音乐绘画等各种语言资源的越体融合,让人产生鲜活与无尽的现代性的形象想象。它弥漫着中国固有的神韵,又氤氲着现代性的美感。京派散文的语言是京派散文的艺术标识,是京派散文甚至是整个中国现代散文艺术的集中体现。京派散文的语言是中国现代散文语言的典范。The language of Beijing style prose is a carnival language form in modern or ancient times,in china or abroad,It is based on a more proficient modern Chinese sentence pattern,integrating sensibility and rationality,in the form of elite monologues,created a perceptual and speculative,plain and rich,classical and modern language feast for readers.It is a trans boundary integration of various language resources,such as ancient and modern,Chinese and foreign,urban and rural,music and painting,which makes people produce fresh and endless image imagination of modernity.It is filled with the inherent charm of China and the beauty of modernity.The language of Beijing style prose is the artistic symbol of Beijing style prose and the concentrated embodiment of Beijing style prose and even the whole Chinese modern prose art.The language of Beijing style prose is a model of modern Chinese prose language.
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