媒介哲学视域中的中华“门”文化  

A Study of Media Philosophy of “Gate” Culture in Chinese

作　　者：谢清果[1] XIE Qing-guo(School of Journalism and Communication,Xiamen University,Xiamen,Fujian,361005,PRC)

机构地区：[1]厦门大学新闻传播学院,福建厦门361005

出　　处：《西北师大学报（社会科学版）》2022年第1期118-126,共9页Journal of Northwest Normal University(Social Sciences)

基　　金：国家社会科学基金一般项目“华夏文明传播的观念基础、理论体系与当代实践研究”(19BXW056)。

摘　　要："门"以开与关的方式来彰显其区别内外的功能,同时也显露出它联系与区隔的姿态,甚至演变成社会地位的象征和心灵世界交往的隐喻。从这个意义上讲,"门"就成为一种独特的"生活媒介":它既是一种作为器具的实体媒介,也是一种作为装置的关系媒介;深入挖掘中华"门"文化的媒介运作逻辑,就会发现中国人巧借"门"的媒介功能来表达自己对日常社会交往和精神意义世界的独特理解与运用,从而在一扇扇门的开关之间升华了人生。By the way of opening and closing, “gate”not only manifests its function of distinguishing the inside and outside world, but also identifies its role in connection and separation.It has further evolved into the symbol of social status and the metaphor for spiritual communication.In this sense, “gate”is a unique medium of life.It is a physical medium as an appliance as well as a relational medium of a device.Therefore, only by profoundly understanding the media significance of“gate”,people can live in harmony with nature, other people and surroundings, and thus walk freely inside and outside the“gate”.

关 键 词：门 生活媒介 媒介哲学 生活世界 华夏传播 

分 类 号：G206[文化科学—传播学]