《玉楼春》词的冯欧传承  

Yulouchun Ci: Inheritance from Feng Yansi by Ouyang Xiu

作　　者：王晶[1] WANG Jing(School of Literature,Hainan Normal University,Haikou,Hainan,571100)

机构地区：[1]海南师范大学文学院,海南海口571100

出　　处：《广州广播电视大学学报》2022年第1期71-74,111,共5页Journal of Guangzhou Open University

摘　　要：欧阳修文风承袭冯延巳的说法,始于王国维《人间词话》。刘熙载评论道:"冯延巳词,欧阳永叔得其深"。本文拟就同一词牌名《玉楼春》为例,从艺术特色、思想内容、感情基调等三方面探讨欧词对于冯词"深"含义的继承与发展,得出以下结论:从艺术特色方面而言,由常见意象巧妙创造出多重意境,意象的逆向配置,加倍道出主人公的愁思;副词、动词的精心搭配拓宽了词的内部张力;从思想内容方面来看,全词有着强烈的时间意识和生命忧患意识,且欧词中表达的忧愁苦闷的内涵,带有很大的不确定性;从感情基调方面来看,情、景、理的浑融,更多地描写人类的共情;层层递进的抒情手法,将愁绪表现得一层深似一层。欧词对冯词文风自觉传承创新的现象,值得引起注意。In his "Poetic Remarks on the Human World", Wang Guowei first held that Ouyang Xiu inherited his writing style from Feng Yansi. Liu Xizai also commented: Ouyang Yongshu got the most of Feng Yansi’ s ci. Taking the same tune title "Yulouchun" as an example, this paper intends to discuss the inheritance and development of the "deep" meaning of Feng ci from three aspects: artistic features, ideological content and emotional tone. The following co nclusions are drawn: in terms of artistic characteristics, multiple artistic conceptions are skillfully created by common images, and the reverse configuration of images doubles the protagonists melancholy;the careful collocation of adverbs and verbs broa dens the internal tension of words. In terms of ideological content, the whole poem has a strong sense of time and life sufferin g, and the connotation of sadness and depression expressed in Ouyang Xiu ci has a lot of uncertainty. Emotional tone of the wo rds: the integration of emotion, scenery, reason, more description of human empathy. The phenomenon that Ouyang consciousl y inherits and innovates the style of Feng is worthy of attention.

关 键 词：《玉楼春》 欧阳修 冯延巳 

分 类 号：I222.8[文学—中国文学]