生态女性主义理论视域下当代印度电影中女性形象的塑造  

The Shaping of Female Images in Modern Indian Films From the Perspective of Ecological Feminism Theory

作　　者：梁雪 孙莉 陈彦坤 LIANG Xue;SUN Li;CHEN Yan-kun(Harbin Finance University,Harbin 150030,China)

机构地区：[1]哈尔滨金融学院基础教研部,黑龙江哈尔滨150030

出　　处：《哈尔滨学院学报》2022年第3期101-103,共3页Journal of Harbin University

基　　金：2020年度黑龙江省省属本科高校基本科研业务费项目,项目编号:2020-KYYWF-E006;哈尔滨金融学院课程思政建设项目,项目编号:2021E013。

摘　　要：印度是世界上电影产量较高的国家,电影内容多关涉宗教、文化、民族、传播、叙事等内容,但近年来对女性给予较多关注的电影层出不穷。文章以生态女性主义理论为视角,对当代印度电影中刻画的女性人物形象塑造进行了深入的研究,揭露父权文化是压迫女性地位低下的根本原因。India is a country with high film production in the world.The film content mostly involves religion,culture,nationality,communication,narration and other contents,but in recent years,films that pay more attention to women have emerged one after another.From the perspective of ecological feminism theory,this paper makes an in-depth study on the portrayal of female characters in modern Indian films,and reveals that patriarchal culture is the fundamental reason for the oppression of women’s low status.

关 键 词：生态女性主义 当代印度电影 女性形象 父权社会 

分 类 号：J905[艺术—电影电视艺术]