当代国产商业类型电影的共同体美学建构及民族性表达  

The Construction of Community Aesthetics and National Expression of Contemporary Domestic Commercial Films

作　　者：刘春[1] Liu Chun(Institute of Literature,Shanghai Acad-emy of Social Sciences,Shanghai,200233)

机构地区：[1]上海社会科学院文学研究所,上海200233

出　　处：《民族艺术研究》2022年第1期30-37,共8页Ethnic Art Studies

摘　　要：类型电影独有的"想象"特征和与目标观众相对紧密的黏合度,是电影美学共同体的重要表征之一。而中国商业类型电影在类型探索中彰显出的独特民族性,不仅在全球化语境中丰富了电影的类型语汇,为中国电影"走出去"积累了宝贵经验,还体现出高度的民族文化凝聚力、感染力和自信。以当代中国商业类型电影为切入点,借鉴社会学共同体、文化研究"情感结构"、心理学"移情"和"共情"等理论,可以探寻到类型电影建构中国电影共同体美学的着力点及其富有民族文化特征的实践方式。The unique features of genre films, imagination, and the relatively close adhesion with the target audience, are one of the important symbols of the aesthetic community of films. The unique national characteristics of Chinese commercial genre films in the exploration of genres, not only enrich the genre vocabulary of films in the context of globalization, which accumulates valuable experience for Chinese films to go abroad, but also reflect a high degree of national cultural cohesion, appeal and confidence. Starting from the contemporary Chinese commercial genre films, we can explore the aesthetic focus of genre films in the construction of Chinese film community and the practice mode of national cultural characteristics by referring to the theories of sociological community, cultural research of “emotional structure”, psychological theories of “transference” and “empathy” and other theories.

关 键 词：电影共同体美学 国产商业类型电影 情感结构 共情 中国电影的民族性 

分 类 号：J901[艺术—电影电视艺术]