陀思妥耶夫斯基手稿中的绘画  

The Drawings of Fyodor Dostoevsky in Manuscripts

作　　者： 陈新宇(编译)[2] 孙人哲(编译) K.A.Barsht;Chen Xinyu;Sun Renzhe

机构地区：[1]俄罗斯科学院俄罗斯文学研究所 [2]浙江大学外国语言文化与国际交流学院

出　　处：《俄罗斯文艺》2022年第1期4-18,共15页Russian Literature & Arts

摘　　要：在作家陀思妥耶夫斯基创作手稿中保留下来五千余幅线条画,这些作品是作家创作思维风格特有的艺术构思记录形式,对深入了解作家创作过程实质具有重要意义。这些线条画大致分为人物肖像画、哥特式建筑草图和书法笔记三大类型。每种类型绘画背后都隐藏着作家的思想,所有这些类型绘画的共同内涵都对应着作家某种伦理哲学体系。作家笔记中这种绘画与文字的有机结合不仅构成了特殊的艺术时空,而且为作家形成哲学思考和艺术再现他所接受的世界提供了帮助,同时也为我们揭示了陀氏的创作个性所在。The surviving manuscripts of Fyodor Dostoevsky contain more than 1,000 drawings.Graphic legacy of Dostoevsky is a characteristic form of the author’s creative thinking in the notes of his artistic design,and has important informational value in understanding the genesis of Dostoevsky’s writing process.These drawings in general could be divided into three categories:portraits,sketches of Gothic architectures and experiments with calligraphy.Each category of graphics expresses its association to Dostoevsky’s often highly private ideas and his system of moral philosophy.The organic entirety of graphic arts and verbal texts of Dostoevsky’s manuscripts is itself a specific artistic reality,in which the author shapes the philosophical thoughts and graphic forms in the final texts of his works.Therefore,a study of the writer’s manuscripts as a whole could clarify our understanding about the nature of his literary creation.

关 键 词：陀思妥耶夫斯基 线条画 三个类型 五个层级 哲学思考 艺术再现 

分 类 号：J205[艺术—美术]