论《大师与玛格丽特》中神性的逆崇高叙事  

The Counter-sublime Narration of Sacredness in Master and Margarita

作　　者：杨丽娜[1] Yang Lina

机构地区：[1]黑龙江大学

出　　处：《俄罗斯文艺》2022年第1期100-109,共10页Russian Literature & Arts

基　　金：国家社科基金一般项目《当代俄罗斯文学批评流派研究》(项目编号:17BWW034)。

摘　　要："崇高"是中外学者文学研究过程中与审美相关的关键词。随着以解构为基础的后现代主义文艺思潮的出现,"逆崇高"逐渐进入文学批评视域。布尔加科夫长篇小说《大师与玛格丽特》正是一部对神圣文本进行神性逆崇高化的经典作品。本文以布鲁姆的"逆反"诗论作为理论基础,以《大师与玛格丽特》为研究对象,得出该小说中神性逆崇高叙事的两个向度,即由宗教叙事独白性转向艺术叙事对话性、由耶稣受难救赎人类的叙事转向撒旦神化救赎人类的叙事,作家正是借此为人类社会重建真理王国开辟了新路径。“The Sublime” is a key word related to aesthetics in the process of literary research by Chinese and foreign scholars.With the emergence of postmodern literary trend based on deconstruction,“the counter-sublime” has gradually entered the field of literary criticism.Mikhail Bulgakov’s novel Master and Margarita is a classic work focused on the Counter-sublime of the sacred text.This paper will take Harold Bloom’s “antithetic poetics” as the theoretical basis,and take Master and Margarita as the object of this study in order to analyze two dimensions of the counter-sublime narration of the Sacred text in this novel,that is,from monologue of the religious narration to dialogue of the artistic narration,from the narration of Jesus’ suffering to the narration of Satan’s deification.

关 键 词：《大师与玛格丽特》 神圣文本 逆崇高叙事 布鲁姆“逆反”诗论 

分 类 号：I512.074[文学—其他各国文学]