试论南宋院体山水画的诗意内蕴  

On the Poetic Connotation of Academy Landscape Paintings in Southern Song Dynasty

作　　者：陈野[1] Chen Ye(Zhejiang Academy of Social Sciences,Hangzhou 310007)

机构地区：[1]浙江省社会科学院,杭州310007

出　　处：《浙江社会科学》2022年第3期131-138,106,160,161,共11页Zhejiang Social Sciences

摘　　要：诗画融合是中国古代绘画传统的主要特征和重要成就。画史上论述诗画融合,一般都聚焦于文人画传统,将诗书画印合一视为文人画的典型特征。南宋院体山水画在古代绘画中占有重要地位,但已有研究大多从绘画技法上对之加以认可,而无关乎"诗画融合""诗画一律"等相关于诗意内蕴这一中国绘画艺术传统最为推崇的艺术风格与内在精神特质层面。深入南宋院体山水画发展历程,可见大量蕴含浓郁诗意的作品,体现出融于构图、笔墨等形式语言本质层面的诗画融合境界,由内而外地散发出中国古典绘画艺术民族特征的韵致。The fusion of poetry and painting is the main feature and important achievement of the ancient Chinese painting tradition.When discussing the fusion of poetry and painting in the history of painting,it generally focuses on the tradition of literati painting and regards the integration of poetry,calligraphy,painting,and printing as a typical feature of literati painting.The academy-style landscape painting in the Southern Song Dynasty occupies an important position in ancient painting.However,most of the existing studies have recognized it in terms of painting techniques,and have ignored the most respected artistic style and inner spiritual quality levels such as the fusion and the agreement of poetry and painting.Going deep into the development process of academy-style landscape painting in the Southern Song Dynasty,we can see a large number of works with strong poetic content,which reflect the fusion of poetry and painting manifest in the combination of composition,brush,ink,and other forms.Thus it embodies the national characteristics of Chinese classical painting art inside-out.

关 键 词：南宋院体山水画 诗画融合 诗意 

分 类 号：J212[艺术—美术] K245[历史地理—历史学]