根植潮韵 源于生活--论潮州筝新作《乡》三部曲  

A Study on the Guzheng New Work Xiang Trilogy in Chaozhou

作　　者：张媛媛[1] ZHANG Yuanyuan(Baoshan University,Baoshan Yunnan 678000)

机构地区：[1]保山学院,云南保山678000

出　　处：《保山学院学报》2022年第1期91-95,共5页JOURNAL OF BAOSHAN UNIVERSITY

摘　　要：通过梳理《乡》三部曲的创作动机、曲式结构、风格特点、体系性演奏技法,提出“于生活中寻找灵感,于潮韵中谱写新曲”的潮筝新作品创作思路;分析《乡》三部曲对潮筝新作品创作的启示和思考,强调传统筝乐新作品要特别重视传统筝乐文化和体系性演奏技法的传承,要根据自己的音乐审美、艺术追求,写出个性化的筝乐作品,树立个性化的演奏风格,促进传统古筝流派不断繁荣、创新和发展。By sorting out the creation motivation,song structure,style characteristics and systematic performance techniques of the Xiang trilogy,this paper puts forward the creative ideas of new Guzheng works in Chaozhou,namely“looking for inspiration in life,and writing new songs in the Chaozhou rhyme”.This paper analyzes the Xiang trilogy of new Guzheng works in Chaozhou,emphasizes the new Guzheng music should pay special attention to the traditional Guzheng music culture and system play⁃ing techniques,create personalized Guzheng music works according to their own music aesthetic and ar⁃tistic pursuit,so as to promote the prosperity,innovation and development of traditional Guzheng schools.

关 键 词：潮州筝派 创新 《乡》三部曲 体系性演奏技法 

分 类 号：J6[艺术—音乐]