“进城者”与“新都市人”:中国当代城市文学的两种写作心理--以邱华栋20世纪90年代创作为中心  

"Provincials"&"New Urbanties":Psychology of Con temporary Chinese Urban Literature Writing:Centered on Qiu Huadong's Works in the 1990s

作　　者：梁钺皓 Liang Yuehao

机构地区：[1]浙江大学中国现当代文学与文化研究所

出　　处：《上海文化》2022年第2期48-56,共9页Shanghai Culture

摘　　要：邱华栋在20世纪90年代以城市书写与欲望书写被归为“新生代”作家,这是一种历史性的误读、他的城市小说与朱文、韩东等人相比较存在着某种本质上的区别,反而是80年代“现代性神话”的一种继承。本文试图通过“进城者”与“新都市人”两种写作心理来重读邱华栋在90年代的创作,将邱华栋与80年代诸如高晓声、铁凝等作家的作品勾连,从而分析“现代性神话”如何成为当代文学城市书写中的精神症结.Qiu Huadong is classified as a writer of the "New Generation" in the 1990 s for his urban writing and desire writing, which is a historical misinterpretation. His urban novels are fundamentally different from those of Zhu Wen and Han Dong, and are instead an inheritance of the "Modernistic myth" of the 1980 s. This article attempts to reread Qiu Huadong’s works in the 1990 s with a psychological analysis of "provincial" and "new urbanites", and a correlative study of Qiu Huadong’s works with those of writers such as Gao Xiaosheng and Tie Ning in the 1980 s, so as to analyze how the "myth of modernity" becomes a spiritual symptom in contemporary literary urban writing.

关 键 词：邱华栋 城市书写 进城者 新都市人 现代性神话 

分 类 号：I206.7[文学—中国文学]